ID de tableau:: 5539
The Death of Cleopatra La Mort de Cléopâtre c. 1660
Oil on canvas, 120 x 158 cm
Pinacoteca di Brera, Milan c. 1660 Huiler sur le canevas, 120 x 158 cm Musées Nationaux, Milan Italian Baroque Era Painter, 1601-1681
ID de tableau:: 18900
The Death of Cleopatra La Mort de Cléopâtre 1660, canvas, Art History Museum, Vienna 1660, le canevas, le Musée d-Histoire d-Art, Vienne Italian Baroque Era Painter, 1601-1681
ID de tableau:: 28119
The Death of Cleopatra La Mort de Cléopâtre mk61
c.1635
Oil on canvas
110x94cm
mk61 c. 1635 Pétrole sur le canevas 110x94cm Italian Baroque Era Painter, 1575-1642
ID de tableau:: 33620
The Death of Cleopatra La Mort de Cléopâtre mk86
c.1622-1624
Oil on cavas
97.5x85.5cm
Munich,Bayerische mk86 c.1622-1624 Pétrole sur cavas 97.5x85.5cm Munich, Bayerische German Baroque Era Painter, ca.1597-1631
Juan Luna y Novicio (October 23, 1857 - December 7, 1899) was an Ilocano Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Felix Resurreccien Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals.
Regarded for work done in the manner of the Spanish and French academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary.
ID de tableau:: 83531
The Death of Cleopatra The Death of Cleopatra (Spanish: La Muerte de Cleopatra), a painting by Juan Luna.
Date 1881(1881)
cjr Juan Luna y Novicio (October 23, 1857 - December 7, 1899) was an Ilocano Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Felix Resurreccien Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals.
Regarded for work done in the manner of the Spanish and French academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary.
